Haunted Fire Studio

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Friday, June 5, 2009

Working away...

I've been crazy busy with both personal and comic stuff.

I've been churning out work at a much higher rate this week and feel like I've got my "art groove" back (I was feeling a lot of frustration that I was not as good or as fast as I should be).

Projects are finally getting done and my life is getting sorted out.

Hopefully I'll have some stuff to share soon.

Wednesday, April 8, 2009

Ryan Cody is the Man

Ryan Cody set up a "jazz style" challenge to get different artists to ink a sketch of his.

Here is my shot:
Care to try yours?  Go to the Sketchjam blog to give it a go.

Drawing at Midnight...

Sketchin' with my feet up, and the iTunes on shuffle.

Feels right.

Thursday, April 2, 2009

My New Computer Desk

I'm testing out posting to my blog from my email! It's pretty neat!

Just for fun, here's pic of my current workstation. This is my third
rolling computer desk. They usually last about a year before the
wheels break off from the weight of my tower, but I think I got a
winner this time. Five wheels baby!!!

Paper Toys, Hellboys and Crappy Cats

I've been running around a bit crazy lately and am trying to get a bit more focused.

Here are some things online you can do to waste time like me!


I noticed a crap ton of DIY paper toy sites are cropping up. Here are some good ones:

Cubee Craft
Marshall Alexander
Ravens Blight
Happy Mag Pie



Also Dark Horse has put all the Hellboy Graphic Novel epilogues online for free.



And if you have not "played" Crappy Cat yet, you are TOTALLY missing out on one of the most visually interesting things on the web.

Last, but not least, watch this super short interview of a Canadian comic shop owner from the 70's.

Enjoy yourselves!

Thursday, February 19, 2009

Mummy Grrl

Taking a short break from sequentials, I gotta lot of projects going on and I just wanted to do something to get my head back in the game.

Thursday, January 22, 2009

The End of Indie Comics?

If you have not heard the news, Diamond Distributors, the largest comics distributor in all the land, has raised their benchmark cut off from $1500 to $2500 to cut the lowest selling books from their monthly ordering catalog (Marvel, DC, Image and Dark Horse, I am told, are brokered and do not have these rules applied to them).

"...in 2008 and prior, purchase order benchmark at Diamond cost – so our cost of goods – has been at a guideline of $1,500 of our cost. We’re raising that to $2,500 at our cost. So when someone brings a new product to us, we look at previous sales on that same series, or with a like artist, or on a like product, and evaluate if we think the new product will hit that benchmark. If we think we can, then we’ll list them. If we think it will be less than that benchmark, then we’ll have a conversation with the publisher what they’re going to do to help sell the product – get a sales and marketing/promotional campaign together or other means to help drive consumer interest to the retailers" -Bill Shanes of Diamond

What this means is that in order to have Diamond carry your independant $4 comic, comic shops have to order around 1550 copies of it, or around 2067 of a $3 comic. To put this in perspective, my comics normally sell around 3000... that's not bragging, that's barely over the benchmark, but it does safely clear it. I am still a relative unknown in the field but I have always worked on spin-offs or titles with a pre-existing fanbase to guarantee exposure, if I was to release a new, untested title would I see the same numbers?

Maybe... maybe not.... that's not the real problem for me.

When you sell around 3000 books, you barely cover the cost of printing them. The publisher has made little to no money, the creative team has made little to no money, the distributor has made a small sum and hopefully the comic store has made some money. This sad formula is what was already pushing me to look toward online publishing so this change does not really effect me all that much. I prefer to work within the established companies and established genres and build a small following that way.

The people who will be affected are the true trailblazers, the guys who print and distribute 22 black and white pages of abstract art, deep soul searching or oddball stuff like nazi weinerdogs fighting robot pickles. Most of the time this stuff is crap, (I'd say 50% of all comics in general are crap... I'm a glass is half full kinda guy) but there are the few bright and shiny diamonds that may be cut down by the cruel wheel of big business.

Hopefully this will be more of a blessing than a curse. The smaller stuff can boost the few remaining smaller distributors inventory with more exclusive titles, fly by night publishers and creators who release shoddy products will have to concentrate more on building a brand and an audience in advance, and $5 bimonthly double issues and webcomics will become more prevalent.

Comics will have to work harder to break out.

I don't think this is the best thing that could have ever happened to comics, Diamond is clearly putting its business before the industry, but I do think comics will be better because of it.

At least I hope so...
Haunted Fire Studio